“There are, it seems, two muses: the Muse of Inspiration, who gives us inarticulate visions and desires, and the Muse of Realization, who returns again and again to say "It is yet more difficult than you thought." This is the muse of form. It may be then that form serves us best when it works as an obstruction, to baffle us and deflect our intended course. It may be that when we no longer know what to do, we have come to our real work and when we no longer know which way to go, we have begun our real journey. The mind that is not baffled is not employed. The impeded stream is the one that sings.”
― Wendell Berry
Saturday, December 29, 2012
Thursday, March 15, 2012
Because you had to give names to everything you found, and make logos
for bad ideas, and change your car every two years and wake up early for
conference calls, and it turned out to be no progress at all / just a
shadow festival / because of that you will have to learn to look at the
sky again, you will have to learn to eat food that grows where you live
again, you will have to learn to touch what you make
-robert montgomery
(get to it!:)
-robert montgomery
(get to it!:)
Friday, January 6, 2012
amen.
Not the intense moment (from The Four Quartets) By T. S. Eliot (1888 - 1965)
Not the intense moment
Isolated, with no before and after, But a lifetime burning in every moment And not the lifetime of one man only But of old stones that cannot be deciphered. There is a time for the evening under starlight, A time for the evening under lamplight (The evening with the photograph album). Love is most nearly itself When here and now cease to matter. Old men ought to be explorers Here or there does not matter We must be still and still moving Into another intensity For a further union, a deeper communion Through the dark cold and the empty desolation, The wave cry, the wind cry, the vast waters Of the petrel and the porpoise. In my end is my beginning. -- from Four Quartets, by T. S. Eliot |
Subscribe to:
Posts (Atom)